Wednesday, October 21, 2009
uneven surfaces
I finally got a shot of my favorite caution sign on my recent flight from Texas. I always say "wheee" when I pass this sign. Such a graceful fall/dance/leap. If only I could be that composed as I tumble.
I wrote about falling (among other things) in my essay recently published at The Collagist. A clumsy person, I'm often recovering from stumbles and untimely meetings with furniture. I feel just as clumsy in my writing--that I blunder into my next essay or paragraph--but these falls feel much more serendipitous than my physical ones. My writing feels more like this sign--uneven surfaces that I trip over sublimely.
Tuesday, October 13, 2009
day dark
After moving to Ohio from Albuquerque in 2003, I had to relearn how to live under clouds. I bought a light box and generally scowled at the overcast days, the low ceiling--"day dark" as I've called it in an essay.
I think I've finally learned to appreciate the beauty of the gray. But ask me again in February.Monday, October 12, 2009
against endings
A lovely little box elder bug somehow made its way onto my table in the Catalyst Café. I glanced over from my laptop, and saw black and red against the blond wood. Hey, I told it, you’re my next blog post! It crawled over my cell phone. What a beautiful image of the natural juxtaposed with the technological, I thought.
Catalyst Café is one of my favorite places in Athens. The building is of green construction, with huge windows and motion sensor lights in the bathrooms. The patio outside its door has lush greenery and a pond complete with frogs—the breathing kind. I look out over the river as I sip great coffee and nosh a Georgian cheese pastry for lunch. The café is the best combination of outdoors and indoors.
I went back to the interview I’m working on for a while. When I picked up my coffee, I found my box elder friend swimming in it.
I took the cup outside and dumped the bug in the greenery, making sure I saw it crawl before going back inside.
So I have this blog, and I use it to keep me awake, to write regularly, and to interact more immediately with an audience. I like the brief essay and how it stretches me, but a brief essay also puts some pressure on the ending. I feel like I need to come up with pithy meanings at the end my posts, but I resist that. I guess I’m just finding my way around the form of the blog.
I think I’ll name the bug Mary.
Catalyst Café is one of my favorite places in Athens. The building is of green construction, with huge windows and motion sensor lights in the bathrooms. The patio outside its door has lush greenery and a pond complete with frogs—the breathing kind. I look out over the river as I sip great coffee and nosh a Georgian cheese pastry for lunch. The café is the best combination of outdoors and indoors.
I went back to the interview I’m working on for a while. When I picked up my coffee, I found my box elder friend swimming in it.
I took the cup outside and dumped the bug in the greenery, making sure I saw it crawl before going back inside.
So I have this blog, and I use it to keep me awake, to write regularly, and to interact more immediately with an audience. I like the brief essay and how it stretches me, but a brief essay also puts some pressure on the ending. I feel like I need to come up with pithy meanings at the end my posts, but I resist that. I guess I’m just finding my way around the form of the blog.
I think I’ll name the bug Mary.
Wednesday, October 7, 2009
defying entropy
This morning my two-year-old daughter Imogen took all of the silverware out of the dishwasher basket, removed the contents of my hair styling drawer in the bathroom, and dumped a bowl of carrots on the floor. She is a wonder of entropy. My babysitter tells me that while the rest of the toddlers construct towers, Imogen waits and then knocks them all down. This behavior worries me slightly—that relatively-benign-yet-nagging feeling you get when your child isn’t quite up to the curve.
When I ask her about the crafts she makes at daycare, she says, “Devon made it.” Which is true in the way that an adult supervises toddler crafts. Does she not realize her creative potential, I wonder, her ability to put things together as well as take apart? I calm my fears by reminding myself she sits and listens to me read half of Giraffe and Pelly and Me by Roald Dahl; she has other talents.
While I was brushing my teeth, Imogen came into the bathroom and said, “Mama, come in living room and look!” She does this when she’s doing something she’s not supposed to. I braced myself, reminded myself that making messes was developmentally appropriate, not a plot to undermine my house cleaning.
She proudly pointed to three blocks stacked on top of one other. I raved.
I had a similar feeling once when I was in college, driving on my way to a volunteer job. I helped an instructor with English as a second language classes at a community center, though I should put helped in quotation marks. I mostly observed her technique and listened to the students’ incredible stories during the tutoring sessions I did after class. I wondered what I was doing there, especially on the half-hour drive to and from.
The route to the community center was dotted with small mercados and family restaurants. My favorite was a taco stand with a beleaguered sign that had eight small colored lights, only three of which were working. The bulbs looked sad and ridiculous, flashing like strobe lights, dwarfed by the text above them. When I passed them I thought, “I think I can, I think I can.”
One day when I passed the stand, I saw that the broken lights had been replaced, all eight flashing furiously. I let out an involuntary “YEAH!” and laughed the rest of the way to the community center. I was buoyed for the rest of the day, even when the incident lost something in translation when I tried explaining it to the ESL instructor.
Good fiction endings are supposed to be unexpected, yet inevitable. I think that’s because life is too.
When I ask her about the crafts she makes at daycare, she says, “Devon made it.” Which is true in the way that an adult supervises toddler crafts. Does she not realize her creative potential, I wonder, her ability to put things together as well as take apart? I calm my fears by reminding myself she sits and listens to me read half of Giraffe and Pelly and Me by Roald Dahl; she has other talents.
While I was brushing my teeth, Imogen came into the bathroom and said, “Mama, come in living room and look!” She does this when she’s doing something she’s not supposed to. I braced myself, reminded myself that making messes was developmentally appropriate, not a plot to undermine my house cleaning.
She proudly pointed to three blocks stacked on top of one other. I raved.
I had a similar feeling once when I was in college, driving on my way to a volunteer job. I helped an instructor with English as a second language classes at a community center, though I should put helped in quotation marks. I mostly observed her technique and listened to the students’ incredible stories during the tutoring sessions I did after class. I wondered what I was doing there, especially on the half-hour drive to and from.
The route to the community center was dotted with small mercados and family restaurants. My favorite was a taco stand with a beleaguered sign that had eight small colored lights, only three of which were working. The bulbs looked sad and ridiculous, flashing like strobe lights, dwarfed by the text above them. When I passed them I thought, “I think I can, I think I can.”
One day when I passed the stand, I saw that the broken lights had been replaced, all eight flashing furiously. I let out an involuntary “YEAH!” and laughed the rest of the way to the community center. I was buoyed for the rest of the day, even when the incident lost something in translation when I tried explaining it to the ESL instructor.
Good fiction endings are supposed to be unexpected, yet inevitable. I think that’s because life is too.
Friday, October 2, 2009
explanation
Meridians don’t care what they run through. If you look at a map, the same meridian runs through Turkey and Zimbabwe; two completely different countries with different people, histories, and customs are joined by an imaginary thread.
Meridians in Traditional Chinese Medicine are the conveyers of the body’s energy. Meridians run through the major organs for which they are named, but they run the length of the body. The bladder meridian traverses the eye and the back of the knee.
Meridians in and of themselves don’t tell stories. Their primary function is to locate and to connect—or to allow passage, transport.
As a writer, I connect. I assay, I try out. I follow the pulse. I invent my own meridians. I wander.
I revisit my title periodically to see what new meanings it turns up for me.
Meridians in Traditional Chinese Medicine are the conveyers of the body’s energy. Meridians run through the major organs for which they are named, but they run the length of the body. The bladder meridian traverses the eye and the back of the knee.
Meridians in and of themselves don’t tell stories. Their primary function is to locate and to connect—or to allow passage, transport.
As a writer, I connect. I assay, I try out. I follow the pulse. I invent my own meridians. I wander.
I revisit my title periodically to see what new meanings it turns up for me.
Thursday, October 1, 2009
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